情节脉络
Pier Paolo Pasolini wanted to shoot his film about Jesus, Il vangelo secondo Matteo (1964), in the Holy Land itself. But during a trip to scout locations, it became clear that this would be impossible: the modern world had become visible in too many places. Andrei Ujica interweaves footage of this visit, in which Pasolini admires the desert landscape with his Vatican adviser Do...
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